Writer Mentor Programs: What are they & are they for me?

In honor of Author Mentor Match, I made ANOTHER vlog. I know, I know. You’re thinking, “Kat, can you calm down on these vlogs?” And my answer is “NEVER!” Haha, Just kidding.

Anyway, I wanted to make a video about Mentorship Programs before AMM opens to applications in April. And I tapped into my friends and CPs to give you all some insight!

~Full Quotes Below!~

“I think for me mentorship is also a way of growing and tending to the community. The idea that now that I’m part of the community and I want to be involved in reaching out to others who maybe feel more outside of it and pulling them in with me is a huge part of it. it’s not really just about the writing.” – Katy Rose Pool

 

“The world of publishing can be overwhelming, and so much information can only be gleaned from being in the community for years and pushing through many of the steps it takes to get published. We’re all helped along the way by someone, receiving key advice or support from fellow authors/publishing professionals. Through mentorship, more experienced authors can pay it forward, helping someone newer to our world navigate it with more ease. Mentees are a part of our community, and I want them to feel more welcome, and initiate them into the fold.” – Alexa Donne

 

“It feels a bit strange for me to offer to mentor another writer, when I still feel like a clueless newbie myself. Five years into my “writing career,” I have just a smidgen of experience in publishing, and I’m happy to share what advice I can, because this can be a confusing and heart wrenching industry. But I think the writing community, especially the YA online community, is so great about creating opportunities to help each other learn and grow. And it’s important to me to try to give back to the community that helped me get to where I am now.” – Heather Kaczynski

“Mentoring has been one of the most rewarding things that I’m so proud, and feel so lucky, to do as a writer. Many times, authors say they write the books that the younger versions of themselves would loved to have read. On that same note with mentoring, I’ve always hoped for the chance to provide the support and motivation to other aspiring writers that I know would’ve helped the younger writer I once was, still lost and hardcore struggling on my journey to publication. It’s an amazing experience to give back that way, to be able to help someone find their way on the journey, and to editorially guide the mentee and their manuscript you already love into the best shape it can be. Best of all, in mentoring, you gain a great friend in the process—one who you’ll always be there for in whatever highs and lows comes their way, and one who will support you just as much on your own path.” – Janella Angeles

 

“Nobody makes it in the publishing world without A LOT of support. I’ve always been fortunate to have people willing to share expertise and willing to read projects that were, shall we say…less than great. I love doing anything I can do to pass on my knowledge. Mentoring is particularly great because you get to be like the fun aunt but also the stern parent! You get to pick a project you love and cheerlead it and fangirl when it succeeds. But you also get to lay down some of your hard-earned wisdom and beat up the manuscript you love for its own good. It’s also given me A WHOLE TON of renewed appreciation for how hard it is to write and revise a book!” – Mara Fitzgerald

“We’re Janice Ian and Damien from Mean Girls. Come sit with us and we will explain how all this chaos works.” – Mara Fitzgerald

“it like…sort of feels like being in a writer sorority…except your big does things like highlight entire paragraphs and go “this is technically good but i know you can make it better” – Christine Herman

“Having a mentor prepared me really well for having an agent — it taught me how to implement intense, detailed feedback, how to work under deadline, and how to truly get my book to the next level. but because I didn’t have to impose professional boundaries on my mentor, I also got a great friend out of it — & a CP I can shove my books at until the end of time.” – Christine Herman

“Mentoring is an excellent way to remind yourself that you have no idea how to write a novel.” – Amanda Foody

 

January and February Wrap-Up (Plus future writerly plans)

I haven’t really been doing wrap-up posts, but I realized how much I’ve randomly gotten done/decided this year already. So I figured I’d talk about the books I’ve read, the shows I’ve watched, and plans for 2017!

Here we go!

Things I’ve done and future Plans for 2017

My critique group and I started a writing blog called Writer’s Block Party.

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It was born because we realized that most of our group chat conversations were us dissecting craft issues and books we loved. And we wanted to share our weirdness with the world. We’re also lucky to have a few industry insiders (agent assistants and publishing assistants) in the group. And of course our amazing CP’s who are debuting this year! (Shout out to Foody and Axie!)

I finished a giant round of revisions for GUMIHO and started drafting a new WiP (that I am currently calling Dragon of Joseon). Here’s an inspiration collage/novel aesthetic for DoJ:

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I have decided the main conferences I am going to as well. I am a HUGE lover of conferences because they allow my writer side and fan side to collide in a giant Super Saiyan fusion form!

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BookExpo and BookCon which will be in New York from May 31 – June 4. It’s going to be a return to my old stomping grounds of New York and I am so excited to see old friends and new. I’ll be Claribel Ortega‘s shadow for as long as she’ll have me.

American Library Association Annual Conference (ALA) which will be June 22-27 in Chicago. It’s an easy one for me to go to since I live in Chicago. I am also very excited since my Critique Group is coming (we’re going to celebrate our love for each other by going to Hamilton as well!)

Finally, I am going to Seoul! I always knew I was going (It’s my grandmother-할머니-88th birthday, which is a big deal in Korea as 8 is an auspicious number). But, my cousins, Axie and Christine, said they’d come with me! So we are going to have a million adventures! AND I am going to try to vlog it! So subscribe to my YouTube for those updates coming to you in late April/early May! (Here are preview pics from my trip to Seoul last year)

Books Read

Don’t want to be too proud of myself but I’ve read 18 books in the last two months. This is by far the fastest and most consistently I’ve read books in a long time. I think that once I started writing I spent a lot of my “story” time on my own MS’s. So, I’m really stoked that I got back into my reading rhythm this year! And I’m also lucky that I loved every book I’ve read so far!

Fantasy and Sci-Fi

I read Handmaid’s Tale because I was told it was eerily prophetic for current times and I have to be honest and say I’m a tad worried. It really did feel like some of the ideals that the dystopian society were based on are things that I’ve heard some more extreme parties saying these days. But that might just mean Margaret Atwood was a great observer of humanity. Either way, the book is worth a read, just steel yourself!

Monstress was my present to myself when I finished revisions and it was amazing! It has such creativity and a creepiness that I can never achieve myself so I always appreciate it in other stories. Also, the art is gorgeous.

I finally finished the Winner’s Trilogy with The Winner’s Kiss. Gotta be honest, I wanted more kissing! But I was very satisfied with this trilogy end.

I read the Star-Touched Queen to prepare for A Crown of Wishes coming out this year. And I’m so happy I did. The story was gorgeously written and immersed me in a new world. I really enjoyed the characters (my favorite was Kamala)

Furthermore was a very fun read! I told my CP I wanted to read more MG this year so she suggested Furthermore as our first unofficial MG book club book and I am so grateful she did. The voice in that book was the best! It was so imaginative and fun and I really enjoyed Alice as a main character. I hope that Tahereh Mafi writes a sequel because the worlds were so enjoyable!

Huntress is a prequel type book in the same world as Malinda Lo’s Ash. I haven’t read Ash yet, but after reading Huntress I really want to. It was such a wonderful world built around Chinese mythology and the strong lead characters made me inspired and excited to read more of Lo’s writing.

Historical Fiction

Outrun the Moon was so well done! I loved the characters and really despaired with them as they struggled in their daily lives even before the earthquake happened. I wanted so much for them to find a connection with each other because I do feel like some of the girls were a bit lost. After the disaster hit there was a lot of chaos and coming together and it’s where the main character, Mercy Wong, really shone. She was an amazing girl to follow through a whole story.

When My Name Was Keoko has a bit of personal meaning to me. My grandmother lived through the Japanese occupation of Korea and she does not like to speak of it much. It was strange to imagine her in Keoko’s shoes. It was a story of two siblings fighting to retain their identity while a ruling government sought to strip them of it. But I loved the theme of resilience and honor that was woven throughout.

Contemporary YA

I really should have read Shiny Broken Pieces earlier because I adored Tiny Pretty Things. That being said, it might be good that I took a bit of time so my heart could heal from the first book. It’s so well written from different persepctives of girls who are competing to be the best in a ballet academy. And my heart just broke for each of them. Honestly, the breakout character for me was Bette, I did not expect to care for her as much as I did.

Nick and Norah’s Infinite Playlist was exactly what I expected, a fun story about two teens feeling a bit lost and finding themselves during one night of adventure.

I am convinced that Adam Silvera gains his power from reader tears. More Happy Than Not is exactly what you might expect from the title (so good job naming this book!). It was a very powerful exploration of mental health and identity and I would definitely recommend it (but have tissues ready).

You guys. You Guys! Aristotle and Dante Discover the Secrets of the Universe will forever mark my heart. It is such a great book. It stays with you looong after you finish it. I cannot recommend this wonderful book enough. It has so much heart and such wonderful relationships. Everyone deserves a friend like Dante.

Romance

My cousin got me really into Lisa Kleypas. She writes really fun regency romances and I devoured them in one sitting. I finished her Wallflowers series really quickly. (I read the first book Secrets of a Summer Night in 2016)

Non-Fiction

Each non-fiction book I read gave me completely different feels. I liked Mindy Kaling’s Why Not Me? because it gave me a laugh during a time I was feeling pretty down. (Though there were many scenes with the Obamas and that made me very depressingly nostalgic)

But the big stand outs were for sure Trevor Noah’s Born a Crime and Malala Yousafzai’s I Am Malala. Noah’s book about growing up in South Africa as the son of a black woman and a white man was very eye-opening. And there were a lot of parallels for some political issues we’re currently facing today in America. It really resonated with me as a reader and it was told with such charm and humor that I was sped through it. (Also, not going to lie, I have a pretty big crush on Trevor Noah). I Am Malala is an important book about learning, bravery, family, love. I didn’t realize I’d gotten the young readers version, so I’m definitely going to get the other version of the book and read that as well. Even if you don’t read I Am Malala (though everyone should), definitely listen to her UN speech. It was powerful and so well spoken.

Shows I’ve watched (Let’s be honest, these are all K-Dramas)

My fave drama so far is Goblin/Dokkaebi (도깨비). It was just amazing. But it also kind of wrecked me in the end. I had a few hang-ups on some weird creative choices (like the age of the main girl). But I thoroughly enjoyed it. I was actually team Dokkaebi-Reaper. BROMANCE! Just look!

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Also you know I love a drama if I make GIFs for it:

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I just finished watched Hwarang (화랑), which was a very fun historical drama set in the Silla Kingdom. It has political intrigue in a way that didn’t bore me to bits (that is such an accomplishment because many historical dramas are only interesting to me during the relationship parts). I also loved the romance in this one. I wish there was more time spent on the friendships (bromance!). But I was very satisfied with this show, partly because of all the eye candy!

It actually gave me my newest love, Park Hyung Sik:

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Which is why I also watched the 2014 weekend drama What Happens to My Family (가족끼리 왜 이래)

This drama actually gave me a lot of feelings and I’m not quite over them yet. But I loved the family dynamics and the love lines and the comedy and the drama of it all. I’m just really emotional so I can’t express myself well about this drama yet.

Finding Hope & Inspiration through Community

Sometimes, when you’re writing you lose sight of things. And sometimes, it’s easy to forget what you’re writing for. I know that I write for myself, for my story, for my heart. But, I’d be lying if I didn’t say I write so others can read my stories and find something to love too.

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This is when community helps me find my perspective. I love seeing people get excited about stories and books. It’s great to see people that I’ve always respected and cheered for getting book deals and debuting. This year alone, I have multiple friends and CP’s debuting and I am so excited I can barely contain it at times. I think it’s alright to find your happiness where you can. And taking some time away from your own work to be happy for others is not only nice, but I think it’s key to keeping your perspective on the publishing world. If we can’t find like-minded people and form these connections, writing and publishing will feel like a very lonely place. Especially since the writing itself is a solitary activity.

I live for the moments that my CPs share pieces of their work, or an aesthetic collage, or an initial outline of a new idea. These are the times when I can sit back and be in awe of the people I’m lucky  enough to call friends. And I can be inspired by the talent around me. I’ve heard a lot of advice that says when you form a critique group you should find people who are more talented than you, and I’m pretty smug about the fact that I’ve accomplished that.

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My Critique Group is as cool as f(x). Well, I think so at least…

It helps to give us moments of hope when we feel like all we’ve been doing is drafting and revising, drafting and revising. It’s wonderful to see a story that we used to read as CPs go from draft to final MS to sold to book. The thrill of that journey is enough to inspire us to keep going with our own work so one day we can see a book cover made from scratch for the stories we’ve created.

I also think it’s important to still be a fan. Everyone I talk to about their writing journey usually says something along the lines of “I’ve always loved stories and reading.” And I think that’s so key! Being a fan means that we can appreciate the craft and creativity that goes into the field we’ve chosen. We can still be in awe of the beauty and talent that goes into crafting a story. We can have hero authors that (if we’re lucky) we might meet one day (and maybe cry on. NO YOU CRIED ON LAINI TAYLOR).

And, I also believe that writing is not ONLY about the writing. It’s about living a life worth inspiring a story. It’s about reading other stories to get motivation and inspiration. And it’s about knowing what books are out there right now being devoured and loved by the very audiences we’re writing for.

I have this analogy I make about my creativity where I call it a bank. I have a certain amount of words saved up that I’ve collected as I read or watch other stories. And when I write too long without reading I spend all of my words. There are legit moments where I feel so burned out that I cannot form coherent sentences anymore and it feels like I’ve used up all the words in my word bank and I need to fill it again. I hate when these moments happen, but at least I know that I can just go to my TBR and I can be inspired from the very first sentence I read.

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I find joy in almost every part of publishing (reading, writing, revising, meeting other writers). Seeing a CP or friend find success helps because it shows us that good stories can find a home and that talent is appreciated. Taking a moment to bask in the glory of your talented friends can warm some of the cold nights spent revising your MS for the umpteenth time. And it also helps to live vicariously through them as their stories find their audiences. I believe these communities are key to creating a sustainability in this industry so we don’t burn out or lose sight of why we’re doing this all in the first place.

Chicago Writes: Writing Conferences in 2017!

I made a list of 2017 Conferences over at ChiYA Writers. If you’re on the look out for a good writing or book conference to attend, check it out!

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I’m a huge proponent of writing conferences. They’re great for honing your craft, learning about the industry, networking and meeting other writers, and many have pitch appointments and pitch events!

For YA there are many conferences all over. Here are a few great ones you can consider if you’re looking into going to a writing conference in 2017!

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Conferences in Chicago

ALA Annual Conference

June 22-27, 2017: Chicago, IL. The annual conference of the American Library Association.

Cost:

  • (non-member) Early Bird $375
  • By 6/16 at noon $400
  • Onsite $440
  • Single day $205
  • Exhibits only $75

The Writing Workshop of Chicago

June 24, 2017: Chicago, IL. A one-day workshop on “How to Get Published.”

Cost:

  • Early Bird $169
  • Add $29 to secure a 10-minute one-on-one pitch appointment.

Boston Teen Author Festival (BTAF)

Boston Teen Author Festival is September 23, 2017 at the  Cambridge Public Library. The Boston Teen Author Festival is bringing YA…

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Launch Giveaway!

I’m a contributor of a new writer’s blog, Writer’s Block Party! We’re doing a giveaway of some books:

Signed hardcover of AND I DARKEN by Kiersten White
Signed hardcover of WINDWITCH by Susan Dennard
Hardcover of CROOKED KINGDOM by Leigh Bardugo
Pre-order of A CROWN OF WISHES by Roshani Chokshi

Check out the post for how to enter!

Writer's Block Party

Writer's Block Blog Banner.pngWriter’s Block Party is celebrating its one month anniversary!!

To celebrate our first month, we’re giving away a few books! You can enter the giveaway below, but please read all of this before entering. 

Writer’s Block Party is a project started by a group of friends and critique partners. Though we’re at various stages in our writing and publishing journeys, we are very grateful for the communities we’ve found online that have helped us along the way. We started this blog in the hopes that our experiences could help others in turn. We’re very excited about the content we have coming up, and we hope you’ll join us for the ride.

Here are a few things you might want to know before you enter:

  • Entry is free.
  • This giveaway is for US only.
  • Ends 2/17/17.
  • You can enter all the giveaways if you’d like to, or just some of them–it’s up to you!
  • To…

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The Diversity Conversation

I’ve watched the conversation around diversity change over the past few years when it comes to literature and YA/kidlit in particular. I took interest for obvious reasons, I am a writer of color who wants to write about my own experiences and heritage. However, even as a POC I was not prepared for some of the hard lessons I’ve learned over the past few years. And I came to realize that it’s because I didn’t have the foundation for it yet. I had to build that first before I could enter the harder conversations and really understand what they were about (let alone partake in them! Which, I still don’t do that often because I am still learning).

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I’m going to make an analogy for this post with the hopes that I can shed light on my own journey and perhaps help at least one person understand how much time it takes to even begin to understand this ongoing conversation we call “diversity.” So, I’m going to compare the conversation about diversity to school courses.

When I was a senior I took a class that beat the snot out of my brain, Biochemistry. I was so wrung dry after a semester of it that I dreamed about it (or, more accurately, I had nightmares about it). However, I still got a very respectable B+ in that course. I know that the only reason I got that grade was because I’d prepared myself for it. I took a year of intro biology, a year of intro chemistry, a year of organic chemistry, plus labs for all of these classes.

My coworker was talking about her classes the other day and said that she was required to take biochemistry but half of the class hadn’t taken intro biology yet. I was floored at how that’s even possible. How could you understand the very complex subjects of biochemistry without taking the intro class first? It just didn’t seem logical! (unsurprisingly most of those students dropped the class)

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The reason I’m telling these strange school anecdotes is to say that I think people should learn the basics before they can join the more advanced classes.

If you look at conversations about diversity in the same way, you should learn the basics in the 101 courses about inequality, systemic/institutional racism, systemic misogyny, internalized sexism, systemic ableism, and how cis/het/straight is presented as the “norm” in our society.

Then you need to take the 201 courses to understand how those concepts affect big picture defacto treatment of marginalized AND microaggressions that happen daily.

After all of those foundational courses, it’s possible to join the advanced courses which are the ongoing conversations about why X book is problematic or Y movie is appropriative or Z author’s Twitter feed is insensitive to the very audience they write for.

I see people jumping into conversations on social media or at a house party to explain why they don’t understand why such-and-such is a big deal. And I can completely understand why they don’t get it. It’s because they don’t have a foundation built up yet. They don’t know the long and hard history of how we got here as a diverse country/society. It’s because they haven’t learned the basics of why this all matters. The issue is that when you take biochemistry without taking biology 101, the only one that suffers is you. When you try to push your way into conversations about diversity without understanding, you’re hurting other people. This is where my analogy ends and the real talk begins.

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We need to stop being so naive to think we already have all the tools to talk about the problems with society just because we live in it. The world is not perfect, we know that much. However, why the world isn’t perfect is up for debate. The thing that isn’t up for debate: other people’s pain. If someone says they’re hurt, that’s it. You believe them.

For me personally, I joined the YA community when I was still learning about my own identity and coming to terms with the idea of writing myself onto the page. I still defaulted to what society told me was the “norm.” I made my MC’s white because I didn’t know if YA audiences would relate to POC MC’s. I also did not know enough about other marginalized communities to speak about their issues. I still have a lot to learn when it comes to communities I’m not a member of, so I still sit back and listen to those kind enough to speak out about it (for free! Seriously, emotional labor is labor and many people do it for free).

On top of that, POC/marginalized can be biased too. Being a racial minority does not stop a person from being ableist or heteronormative, etc. I had to unlearn many off-hand statements I used in every day conversation because I didn’t realize that it was perpetuating an ableist norm. I also had to unlearn some phrases that were cruel to other POC and Native groups. I grew up in the United States, which means I was raised watching TV shows that told me white was normal; and men married women; and boys played with cars and girls played with dolls. My parents NEVER told me that was normal, but society did. And I had to decide for myself if that’s what I would believe or not.

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video source: Unboxing Ableism

We all have to unpack our biases. And we all need to understand the basic foundation of why these conversations are important. Until then, it’s fine to be quiet and listen. There is no need to be active in the conversation all the time. Sometimes it’s enough to just learn. That’s actually why so many marginalized voices speak out, to help people understand.

I don’t mean to scare anyone away from joining an earnest conversation. But it is on you as the “learner” to understand that your need to learn does not supersede another person’s pain. So asking a marginalized person on Twitter to teach you about their life’s history of marginalization in a 15 minute conversation over 140 characters is probably not the place to start your learning. We are in the age of the amazing internet and google is an awesome thing. And once you’ve created your foundation then you can dip your toe into smaller conversations (perhaps start off in a closed community among friends who are willing to explain the harder things. That’s what I did)

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I’d be happy to answer questions if anyone has them and if I don’t have the answers I’ll say that too. After all, I’m still learning as well.

Here are resources to learn from before entering the diversity conversation:

We Need Diverse Books

Writing in the Margins

American Indians in Children’s Literature

Disability in kidlit

Gay YA

Reading While White

Writing With Color

Minorities in Publishing

Diversity in YA

I also have a Twitter list of Diverse writers (it is in NO way comprehensive, but feel free to follow any and all of them!)

Diverse Writers

Twitter Basics and How I Use Them

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Hello friends, I’ve been thinking about writing a Twitter 101 post for awhile. Not only because I think Twitter is ah-maz-ing, but because I know Twitter can be confusing as all heck! It’s like when you see your grandma posting random questions on your Facebook feed and you realize she thinks Facebook is Google. And you laugh and think “Oh, Grandma.” Well, that’s us when we don’t know how to use Twitter.

So, here we go!

(Please note that a lot of these points are my own opinions and based on how I personally use Twitter, but I offer this as a general guide to be adjusted for your personal use)

Okay, now for real, here we go!

1. Hashtags

Hashtags are a fun way to reach a broader audience. Many people will search a known hashtag to see what people’s opinions are on it. So be aware of which ones you’re using and why. Big ones for writing/reading are:

#amwriting, #amreading, #amrevising — just what they sound like, any random thought or advice for people who are writing, reading, or revising. Also, just to update on your personal writing/reading/revising status.

#amquerying — I made this one separate because I believe it’s to be used a bit differently. You can definitely share advice and random thoughts about querying with it. But I wouldn’t recommend posting too many tweets about your querying status as it is a very subjective and personal journey in many ways. I do think it’s a great hashtag to give words of encouragement and advice to others who are querying or about to query.

#TBR — To Be Read. I think that says enough.

#WeNeedDiverseBooks and #WNDB — This was started in reply to a need for more diverse books and is a great movement. Go to WeNeedDiverseBooks.org for more about WNDB.

#ownvoices — this is for use about books written about marginalized characters written by authors with those same marginalizations. It’s important to note that it’s not just writing about a character that shares experiences with you (e.g. if your character is at space camp and you went to space camp, that is not ownvoices). It’s specifically to address sensitive experiences with marginalization and how that affects a person and telling those personal stories (e.g. if the character is a black teenager dealing with #BLM and the author is a black woman dealing with #BLM)

#MSWL — Manuscript Wishlist was created by an agent to help writers see what kinds of stories agents and editors would love to see in their submission piles. (Note: It is not for pitching, that should only be done during designated Twitter pitch dates on the proper pitch hashtags, see below)

#MuseMon, #2bittues, #1linewed — Amazing tags where you can share quick blurbs of your writing

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Claribel (@claribel_ortega) is the creator of #MuseMon. And you should all follow Erin and Janella, too. They’re all awesome writers and people.

And sometimes online pitch conferences use a specific hashtag (NOTE: These are to be used on the scheduled day of the event and not before or after if you are pitching)

#DVPit, #pitmad, #SFFpit, #Adpit, #kidpit, #PBpitch

I even use a hashtag for my sister’s puppy and I’m not sorry! #luckythedog

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2. @-ing people and replying to people

If you reply to someone’s tweet, it’ll automatically start your tweet with @personstwittername

If you reply to a tweet that has other people tagged in it, your reply will automatically tag ALL of them. So be aware if you only want to reply to the original poster, you have to delete those extra twitter handles.

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If you start your Tweet with an @ handle in order to tag another person, it won’t show up in your main feed. It’ll only be in the tab that says “Tweets & Replies” in your profile. I hear this might change soon, but for now, if you want to @ someone and want it to show up in your main feed, then add a convenient period “.” before the tag. That way Twitter will think it’s a normal Tweet.

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3. Threads

Sometimes you’ll see a tweet that sounds like half an idea and that’s because it is! It’s part of what we call a “thread,” tweets that are linked as “replies” to each other that form a fuller thought than can be expressed in 140 characters. People will often number them to show they’re part of a bigger thread:

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A lot of people just number 1. 2. 3. 4. and so on, because it’s simpler
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This is my favorite way because the / after the number implies the thought continues. And once you get to the end you just add that closing number (in this thread it’s 7) to show that’s the end of your thought.

Sometimes people don’t number them, which does make it harder to follow the full thought, but if you click on any tweet it shows all the replies made to that tweet:

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4. Quote Tweeting

It can be used to boost a previous tweet:

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It can be used to show support for a thought or post (it makes it easier to provide the link to a thread of tweets so the reader can click on the original tweet and read the whole thread):

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Some people quote tweet as a more public way of replying to a thought, or to add their own thoughts on top of the original Tweet.

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IMPORTANT TO NOTE: When you quote tweet someone to add your personal opinion, think of it like you’re highlighting your reply to them. It shows up more prominently in feeds. It includes your reply and the original tweet to show why you’re reacting the way you are. This is important to be aware of if you’re replying with your opinion on someone else’s opinion, especially if it’s to disagree with them. This is exponentially important to be aware of if you’re commenting on a marginalized person’s comment on something they find personally harmful. If you do this, it is the Twitter equivalent of going “Well, actually…”

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Be aware that if you replying as if you’re trying to “correct” someone’s opinion when you are NOT part of the community affected, it comes off as condescending. It is hard to convey tone in text or Twitter. So, if this is a sensitive subject then take a beat and think through whether this opinion needs to be blasted to all of Twitter.

5. Some often used abbreviations and hashtags:

ICYMI: In Case You Missed It

FF: Follow Friday

IMHO: In My Honest Opinion

IMO: In My Opinion

TBH: To Be Honest

RT: retweet

LRT: Last Retweet (this is to refer to the last thing the person retweeted)

IRL: In Real Life

(some are just abbreviations to save character space, they’re pretty self-explanatory if you just think it through. e.g. b4 = before, bc = because, some1 = someone, ppl = people)

6. Parting Thoughts on Twitter “etiquette”

Twitter is a great equalizer. We can tweet at celebs we love and people we’ve never met before in real life. However, it’s also public. This means your conversations are blasted for all to see and it makes your “opinions” more magnified since it is in front of an audience. Before you tweet something, think to yourself, “Would I say this in front of a panel of people at a book conference?” Or “Would I announce this at a crowded party where I don’t know everyone?”

If the answer is no, then think about why that is. Is it because you’re not sure of your stance on the subject? Is it because you don’t really know a lot about that particular topic you’re just saying your opinion based on your limited experience? Is it because your comment is reactionary instead of thoughtful?

If so, don’t tweet it.

So often, people reply to tweets and threads as if they’re having a personal debate in their friend’s living room, but they’re not. They’re having an internet fight for all to see. And since Twitter gives limited space for more complex thoughts, it can be misconstrued VERY quickly.

If you’re a writer/author/creative and you are using Twitter as a platform to gain readers and network with industry people, then be willing to back up anything you say on Twitter.

There are authors that say political and sensitive things on Twitter and they’re amazing. Why? Because they truly believe in what they’re saying and will defend it even if it’s an in-person conversation, a panel at a conference, or on Twitter. That conviction is important when you’re taking a stand on Twitter. These aren’t opinions they made in a day or a week. They’re opinions that have been carefully thought out (taking into account others who might be affected by them) and are meant to better the conversation and community. I assume most people reading this are in kidlit/YA/MG, so I think it’s important to point out that our intended audiences are kids and teens. That adds a layer of responsibility about what we stand for both in our books and in our public personas.