My Podcast Debut! (88 Cups of Tea)

Hey guys, I am so excited to share the first ever podcast interview I’ve ever done! It was with 88 Cups of Tea one of my ABSOLUTE FAVES! And I am still pinching myself because I can’t believe I had this amazing experience. It was for their celebratory 88th episode (congratulations Yin and Moonlyn!) and I was one of the lucky listeners picked to interview. Previous episodes of 88 Cups of Tea included interviews with greats like Leigh Bardugo, Jenny Han, Alexandra Bracken, Renee Ahdieh, and V.E. Schwab! So I am so star-struck by this podcast and Yin (the amazing host!)

I’d say definitely check out all the episodes and listen to all 8 amazing listener interviews on this super fun episode (I’m around the 1:37:40 point)

 

And visit their website for the show notes and their archive of all the episodes: HERE

The Diversity Conversation pt2: Resources and Links

Since there was more interest in my Diversity Conversation post than I expected (and because I do not consider myself an expert on this topic), I thought it might be helpful to provide a more comprehensive list of outside resources. I’ve compiled links to resources for anyone who would like to further their personal education on diversity and the diversity conversation!

I will be updating this with more links as they come to my attention.

***My request to you if you’ve come here to learn more about the diversity conversation in kidlit (especially if you are not part of one, many, or any of these marginalized communities). Please keep an open mind and be ready to be wrong. It’s important to overcome any internal biases that might have been picked up along your life (whether consciously or subconsciously). One of the reasons systemic racism and harmful stereotypes have permeated our world is because we can’t overcome these internal biases because we don’t see how insidious they can really be.***

Also, if you’re here, it’s probably because you want to learn. The BEST way to do that is to follow all the people who wrote these resources in the first place. And to support the authors who are creating diverse content. Buy their books! (Link to my diverse Goodreads books list: HERE)

Basics/Textbook definitions:

systemic/institutional racism

systemic misogyny

internalized sexism,

systemic ableism

how cis/het/straight is presented as the “norm” in our society.

defacto treatment of marginalized

microaggressions that happen daily

Here are resources to learn from about diversity in kidlit:

We Need Diverse Books

Writing in the Margins

American Indians in Children’s Literature

Disability in kidlit

Gay YA

Reading While White

Writing With Color

Minorities in Publishing

Diversity in YA

CBC Diversity

Rich in Color

Malinda Lo’s Guide to LGBT YA

Latinxs in Kidlit

Twitter list of Diverse writers

(it is in NO way comprehensive, but feel free to follow any and all of them!)

Diverse Writers

Okay let’s go more in-depth shall we?

Writing With Color provides Blogs – Recs – Resources

They also provide Writing With Color – Featured Research Guides

Some Marginalized Authors are nice enough to storify conversations and threads:

Violence Against Black Women in Publishing: The Harm Women of Color, Particularly Black Women, Face When Pushing For Diversity (compiled L.L. McKinney)

Justina Ireland on Worldbuilding & Appropriation (by Justina Ireland)

YA: “The Total Experience” Diversity in YA With Beth Revis, C.J. Omolulu, Lydia Kang & Malinda Lo. (compiled by Ava Jae)

How about some videos too?

 

Writer Mentor Programs: What are they & are they for me?

In honor of Author Mentor Match, I made ANOTHER vlog. I know, I know. You’re thinking, “Kat, can you calm down on these vlogs?” And my answer is “NEVER!” Haha, Just kidding.

Anyway, I wanted to make a video about Mentorship Programs before AMM opens to applications in April. And I tapped into my friends and CPs to give you all some insight!

~Full Quotes Below!~

“I think for me mentorship is also a way of growing and tending to the community. The idea that now that I’m part of the community and I want to be involved in reaching out to others who maybe feel more outside of it and pulling them in with me is a huge part of it. it’s not really just about the writing.” – Katy Rose Pool

 

“The world of publishing can be overwhelming, and so much information can only be gleaned from being in the community for years and pushing through many of the steps it takes to get published. We’re all helped along the way by someone, receiving key advice or support from fellow authors/publishing professionals. Through mentorship, more experienced authors can pay it forward, helping someone newer to our world navigate it with more ease. Mentees are a part of our community, and I want them to feel more welcome, and initiate them into the fold.” – Alexa Donne

 

“It feels a bit strange for me to offer to mentor another writer, when I still feel like a clueless newbie myself. Five years into my “writing career,” I have just a smidgen of experience in publishing, and I’m happy to share what advice I can, because this can be a confusing and heart wrenching industry. But I think the writing community, especially the YA online community, is so great about creating opportunities to help each other learn and grow. And it’s important to me to try to give back to the community that helped me get to where I am now.” – Heather Kaczynski

“Mentoring has been one of the most rewarding things that I’m so proud, and feel so lucky, to do as a writer. Many times, authors say they write the books that the younger versions of themselves would loved to have read. On that same note with mentoring, I’ve always hoped for the chance to provide the support and motivation to other aspiring writers that I know would’ve helped the younger writer I once was, still lost and hardcore struggling on my journey to publication. It’s an amazing experience to give back that way, to be able to help someone find their way on the journey, and to editorially guide the mentee and their manuscript you already love into the best shape it can be. Best of all, in mentoring, you gain a great friend in the process—one who you’ll always be there for in whatever highs and lows comes their way, and one who will support you just as much on your own path.” – Janella Angeles

 

“Nobody makes it in the publishing world without A LOT of support. I’ve always been fortunate to have people willing to share expertise and willing to read projects that were, shall we say…less than great. I love doing anything I can do to pass on my knowledge. Mentoring is particularly great because you get to be like the fun aunt but also the stern parent! You get to pick a project you love and cheerlead it and fangirl when it succeeds. But you also get to lay down some of your hard-earned wisdom and beat up the manuscript you love for its own good. It’s also given me A WHOLE TON of renewed appreciation for how hard it is to write and revise a book!” – Mara Fitzgerald

“We’re Janice Ian and Damien from Mean Girls. Come sit with us and we will explain how all this chaos works.” – Mara Fitzgerald

“it like…sort of feels like being in a writer sorority…except your big does things like highlight entire paragraphs and go “this is technically good but i know you can make it better” – Christine Herman

“Having a mentor prepared me really well for having an agent — it taught me how to implement intense, detailed feedback, how to work under deadline, and how to truly get my book to the next level. but because I didn’t have to impose professional boundaries on my mentor, I also got a great friend out of it — & a CP I can shove my books at until the end of time.” – Christine Herman

“Mentoring is an excellent way to remind yourself that you have no idea how to write a novel.” – Amanda Foody

 

Getting started and finding your writing style

I’m pretty into making my #Authortube videos and I’ve made another one with some advice if you’re getting your feet wet with writing and don’t know where to begin. I think you should definitely just dive in and keep in mind WHY you’re writing. We tell stories because we love stories. So I’d just suggest that you hold on to that love and have a lot of fun in the beginning. Don’t worry about industry things or next steps or craft and style right now. Just write a story you’d love to read as a reader!

January and February Wrap-Up (Plus future writerly plans)

I haven’t really been doing wrap-up posts, but I realized how much I’ve randomly gotten done/decided this year already. So I figured I’d talk about the books I’ve read, the shows I’ve watched, and plans for 2017!

Here we go!

Things I’ve done and future Plans for 2017

My critique group and I started a writing blog called Writer’s Block Party.

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It was born because we realized that most of our group chat conversations were us dissecting craft issues and books we loved. And we wanted to share our weirdness with the world. We’re also lucky to have a few industry insiders (agent assistants and publishing assistants) in the group. And of course our amazing CP’s who are debuting this year! (Shout out to Foody and Axie!)

I finished a giant round of revisions for GUMIHO and started drafting a new WiP (that I am currently calling Dragon of Joseon). Here’s an inspiration collage/novel aesthetic for DoJ:

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I have decided the main conferences I am going to as well. I am a HUGE lover of conferences because they allow my writer side and fan side to collide in a giant Super Saiyan fusion form!

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BookExpo and BookCon which will be in New York from May 31 – June 4. It’s going to be a return to my old stomping grounds of New York and I am so excited to see old friends and new. I’ll be Claribel Ortega‘s shadow for as long as she’ll have me.

American Library Association Annual Conference (ALA) which will be June 22-27 in Chicago. It’s an easy one for me to go to since I live in Chicago. I am also very excited since my Critique Group is coming (we’re going to celebrate our love for each other by going to Hamilton as well!)

Finally, I am going to Seoul! I always knew I was going (It’s my grandmother-할머니-88th birthday, which is a big deal in Korea as 8 is an auspicious number). But, my cousins, Axie and Christine, said they’d come with me! So we are going to have a million adventures! AND I am going to try to vlog it! So subscribe to my YouTube for those updates coming to you in late April/early May! (Here are preview pics from my trip to Seoul last year)

Books Read

Don’t want to be too proud of myself but I’ve read 18 books in the last two months. This is by far the fastest and most consistently I’ve read books in a long time. I think that once I started writing I spent a lot of my “story” time on my own MS’s. So, I’m really stoked that I got back into my reading rhythm this year! And I’m also lucky that I loved every book I’ve read so far!

Fantasy and Sci-Fi

I read Handmaid’s Tale because I was told it was eerily prophetic for current times and I have to be honest and say I’m a tad worried. It really did feel like some of the ideals that the dystopian society were based on are things that I’ve heard some more extreme parties saying these days. But that might just mean Margaret Atwood was a great observer of humanity. Either way, the book is worth a read, just steel yourself!

Monstress was my present to myself when I finished revisions and it was amazing! It has such creativity and a creepiness that I can never achieve myself so I always appreciate it in other stories. Also, the art is gorgeous.

I finally finished the Winner’s Trilogy with The Winner’s Kiss. Gotta be honest, I wanted more kissing! But I was very satisfied with this trilogy end.

I read the Star-Touched Queen to prepare for A Crown of Wishes coming out this year. And I’m so happy I did. The story was gorgeously written and immersed me in a new world. I really enjoyed the characters (my favorite was Kamala)

Furthermore was a very fun read! I told my CP I wanted to read more MG this year so she suggested Furthermore as our first unofficial MG book club book and I am so grateful she did. The voice in that book was the best! It was so imaginative and fun and I really enjoyed Alice as a main character. I hope that Tahereh Mafi writes a sequel because the worlds were so enjoyable!

Huntress is a prequel type book in the same world as Malinda Lo’s Ash. I haven’t read Ash yet, but after reading Huntress I really want to. It was such a wonderful world built around Chinese mythology and the strong lead characters made me inspired and excited to read more of Lo’s writing.

Historical Fiction

Outrun the Moon was so well done! I loved the characters and really despaired with them as they struggled in their daily lives even before the earthquake happened. I wanted so much for them to find a connection with each other because I do feel like some of the girls were a bit lost. After the disaster hit there was a lot of chaos and coming together and it’s where the main character, Mercy Wong, really shone. She was an amazing girl to follow through a whole story.

When My Name Was Keoko has a bit of personal meaning to me. My grandmother lived through the Japanese occupation of Korea and she does not like to speak of it much. It was strange to imagine her in Keoko’s shoes. It was a story of two siblings fighting to retain their identity while a ruling government sought to strip them of it. But I loved the theme of resilience and honor that was woven throughout.

Contemporary YA

I really should have read Shiny Broken Pieces earlier because I adored Tiny Pretty Things. That being said, it might be good that I took a bit of time so my heart could heal from the first book. It’s so well written from different persepctives of girls who are competing to be the best in a ballet academy. And my heart just broke for each of them. Honestly, the breakout character for me was Bette, I did not expect to care for her as much as I did.

Nick and Norah’s Infinite Playlist was exactly what I expected, a fun story about two teens feeling a bit lost and finding themselves during one night of adventure.

I am convinced that Adam Silvera gains his power from reader tears. More Happy Than Not is exactly what you might expect from the title (so good job naming this book!). It was a very powerful exploration of mental health and identity and I would definitely recommend it (but have tissues ready).

You guys. You Guys! Aristotle and Dante Discover the Secrets of the Universe will forever mark my heart. It is such a great book. It stays with you looong after you finish it. I cannot recommend this wonderful book enough. It has so much heart and such wonderful relationships. Everyone deserves a friend like Dante.

Romance

My cousin got me really into Lisa Kleypas. She writes really fun regency romances and I devoured them in one sitting. I finished her Wallflowers series really quickly. (I read the first book Secrets of a Summer Night in 2016)

Non-Fiction

Each non-fiction book I read gave me completely different feels. I liked Mindy Kaling’s Why Not Me? because it gave me a laugh during a time I was feeling pretty down. (Though there were many scenes with the Obamas and that made me very depressingly nostalgic)

But the big stand outs were for sure Trevor Noah’s Born a Crime and Malala Yousafzai’s I Am Malala. Noah’s book about growing up in South Africa as the son of a black woman and a white man was very eye-opening. And there were a lot of parallels for some political issues we’re currently facing today in America. It really resonated with me as a reader and it was told with such charm and humor that I was sped through it. (Also, not going to lie, I have a pretty big crush on Trevor Noah). I Am Malala is an important book about learning, bravery, family, love. I didn’t realize I’d gotten the young readers version, so I’m definitely going to get the other version of the book and read that as well. Even if you don’t read I Am Malala (though everyone should), definitely listen to her UN speech. It was powerful and so well spoken.

Shows I’ve watched (Let’s be honest, these are all K-Dramas)

My fave drama so far is Goblin/Dokkaebi (도깨비). It was just amazing. But it also kind of wrecked me in the end. I had a few hang-ups on some weird creative choices (like the age of the main girl). But I thoroughly enjoyed it. I was actually team Dokkaebi-Reaper. BROMANCE! Just look!

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Also you know I love a drama if I make GIFs for it:

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I just finished watching Hwarang (화랑), which was a very fun historical drama set in the Silla Kingdom. It has political intrigue in a way that didn’t bore me to bits (that is such an accomplishment because many historical dramas are only interesting to me during the relationship parts). I also loved the romance in this one. I wish there was more time spent on the friendships (bromance!). But I was very satisfied with this show, partly because of all the eye candy!

It actually gave me my newest love, Park Hyung Sik:

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Which is why I also watched the 2014 weekend drama What Happens to My Family (가족끼리 왜 이래)

This drama actually gave me a lot of feelings and I’m not quite over them yet. But I loved the family dynamics and the love lines and the comedy and the drama of it all. I’m just really emotional so I can’t express myself well about this drama yet.

WiP Playlist: Dragon of Joseon

I used to hate sharing my process for my works-in-progress (WiPs) because I’ve abandoned story ideas before. Usually at the halfway point, but sometimes I’ve written the whole MS and then shelved it. So, I’ve felt odd sharing details of a project before it’s DONE-done. However, I’ve also NEVER felt a project is done-done, so what am I even talking about?

Anyway, I am going to share steps of my writing progress since this is my blog and I’m pretty sure only 5 people read it with any regularity (Hi, Thudsters!)

I’ve made a fun writing playlist for my newest contemporary fantasy, and figured I’d share it since I am all about discovering new writing music AND I am hoping to fish for writing music recommendations (if you have any then send them my way)!

The tone is definitely current in the sense that I am listening to A LOT of K-Pop (but I listen to that all day every day anyway so maybe that’s just my brain and not my WiP). But I also am kind of leaning toward the epic ballads and moody music for this one. Some of my stand-out soundtracks for Dragon of Joseon are:

“Because I Miss You” by Beige from the Moonlight Drawn By Clouds (구르미 그린 달빛) OST

This song is so sweet and had such a longing in it. Most of my characters long for something so this fits all of them really well.

“Fighter” by Far East Movement ft. Yoonmirae (윤미래) & Autolaser  

This could equally relate to both of my main female characters. One is fighting for family and love. The other is fighting for honor and power.

Will Be Back (꼭 돌아오리) by 임Sun Hae Im (선혜) from Moon Lovers: Scarlet Heart Ryeo (달의 연인-보보경심 려) OST

The style of this song is SO saeguk to me and EPIC. I actually didn’t love Scarlet Heart Ryeo and DNF’d it as a show, but there were some definite moments of beauty in it. And while the era of SHR was Goryeo and my WiP is inspired by a different time period (Joseon) it for sure gave me historical feels and fits a mood I’m trying to accomplish with my WiP.

The Man/Han Shi Hoo’s Theme (Artist Unknown) Orange Marmalade (오렌지 마말레이드) OST

This song makes me imagine a lone traveler going on a journey. It’s so simple, yet gives me some great feelings with the melody. It’s the theme song in Orange Marmalade for the character of Han Shi Hoo (played by the yummy Lee Jonghyun, lead guitarist of CNBlue). He’s a vampire and kind of a teenage delinquent (sexy vampires are still a thing in K-Dramas and I’m not mad as long as they all look like Jonghyun). His character kind of reminds me of something I’m going for with my main dragon character (also a bitter supernatural male). So I’m going with this as Jiyong’s theme for my WiP.

If you want to see my whole Dragon of Joeseon playlist in all it’s glory, it’s on my YouTube channel HERE:

The fear and thrill of writing #ownvoices

I want to write an honest post about something that has always worried me and probably will always worry me as I keep writing about my heritage. It’s a special kind of imposter syndrome, the fear that I am appropriating my own culture for my art.

 

There are so many conversations about #ownvoices and #ownyourown. There are so many people saying meaningful and important things. Sometimes I try to chime in, but I always feel like others say it better, so signal boosting has been my main activity.

The way I see the world is a bit of a hybrid. I’ve spoken to many POC Americans who admit to feeling like they live in-between. Between the world of their parents/ancestors and the world they were born into. We are American but we have a qualifier in front. We are Something(-)American.

But, I chose to write a book about my culture as a Korean girl. And I also chose to write a book ONLY about being Korean (aka, not about being Korean American). So, I had to accept a few things about myself and my book.

1) I am Korean but I was not raised there, so I still see my heritage through a version of an American POV.

2) My parents picked what Korean ideals to raise us with so I lived their version of Korean culture.

3) I learned new things about my roots as an adult, but those aren’t as deeply ingrained in me as what I was raised with.

How I try to keep learning in my writing and in my identity

I am Korean 100% by genetics and blood, but I am a Korean American by upbringing. That means that I need to own what I know and fill in what I don’t with diligent research (just like any other writer).

The book I wrote is my heritage and my culture. But I knew being a Korean girl and being a person of color does not give me carte blanche to write whatever I want. I went to a semester abroad in Korea and visited many times as a child, but that doesn’t mean I instinctively know what I’m talking about when I write a contemporary Korean story. So, I went to Korea (multiple times) and I asked Korean people to clarify things as I wrote it. I asked Korean beta readers to read it. I asked my grandmother questions, my aunts, my cousin, my Korean language teacher. I wanted to ensure that I wasn’t just coasting on my bloodline to assume that I was getting it right.

I believe that we need to own our heritage in our writing. I also think we need to know our limitations and be sure that when we present our stories we are always doing due diligence.

I am proud and excited about this book I’ve created. But I am always learning and that excites me. I never want to stop learning. When we stop learning life can get pretty boring. And I refuse to live a boring life.
That’s why I’m a writer.

As a final note, someone recently shared THIS ARTICLE called “The Year in Hyphenates.” It’s a very honest and insightful article about what it’s like to be raised Asian American/Canadian and the in-between identity that is often created. I gotta be honest, I actually teared up reading it because it resonated so deeply with my own struggles as an Asian American. Often times I felt not Korean enough and not American enough at the same time. And I know that these struggles have bled over into my creative identity. I want to say this to any POC/Native/marginalized creators of #ownvoices reading this post. You are NOT responsible for representing your whole community. You can only tell YOUR story fully and honestly. As long as you love your story and feel like you’re representing YOUR experience well in your #ownvoices, then I’m sure you’re doing a wonderful job.

Keep dreaming! Keep creating!